Finding a wounded man and a satchel of cash is probably not something you would want to stick your nose into , especially if you’re out in the old west. But that is just what Henry (Tim Blake Nelson) comes across, and decides to help, even if doesn’t seem sure if it’s something he wants to do. The injured man in question is Curry (Scott Haze), claiming to be a sheriff, who Henry brings to his home to recover. However, the situation takes a turn when another so-called sheriff named Ketchum (Stephen Dorff) and two of his deputies show up, seemingly eager to find Curry.
From here, Henry is forced to come up with a decision about what to do next, and more specifically, who he should place his trust in. It’s made clear to us what exactly is going on, but Henry is kept in the dark of all the info we get in regards to the true nature of Ketchum and his men. Meanwhile, Henry has to deal with making sure his son, Wyatt (Gavin Lewis), is safe from any of the potential danger that the situation has in store. Though, it turns out Henry is surprisingly capable of defending his home.
Anyone who is a sucker for a good western will find quite a lot to enjoy here. While it might not be the most groundbreaking, there are interesting elements that do feel a bit fresh. Aside from the sense of isolation, to the rainy atmosphere, and the somber mood that grooves under the surface that gives a lot of weight to the tension that is ever present. The action is also fairly solid in a way that is sturdy, not very flashy, but it works for the kind of revisionist western style the filmmakers are going for here.
The film is written and directed by Potsy Ponciroli, who only has a few writing and directing credits under his belt, this being his most high profile to date. He clearly has a fondness for westerns, especially the old classics. There’s a formalism to the style here that is mostly understated and grounded, and it works really well on that level. There is a big piece of information that the film brings to light in the final act that makes you rethink a lot of elements prior, and while I’m not sure if it totally works, it’s such an interesting move that I couldn’t help but admire where it went.
Of course, what ultimately makes Old Henry worth watching is Tim Blake Nelson, who gets to have a rare lead performance here. Obviously, this is the kind of role that he could do in his sleep, but he still really brings a sense of humanity and authenticity to his presence. It’s effortlessly compelling, and he handles himself well when the action does get going. The film does a lot in exploring his relationship with Wyatt and his outlook on life, and the reveal brings an interesting context in retrospect. There are definitely elements here that probably would have served the film better if it was more expanded upon. With the film being only 98 minutes, there would have been some room for more character building, but as is, it’s a solid western, and for fans of Tim Blake Nelson, it is one that is absolutely worth seeking out.
Old Henry will open in select theaters on October 1st.