Film Review: Killers Of The Flower Moon
NOTE: While the WGA strike is officially over, as of me writing this, SAG-AFTRA is still on strike, demanding fair wages, better working conditions, protection from AI, among many other Continue Reading
Film Review: Cocaine Bear
Cocaine Bear is for the most part exactly the kind of movie you’d expect it to be. Especially if you’ve seen any of the promotional material, which has gone viral Continue Reading
Film Review: Devotion
Based on the 2015 book by Adam Makos, Devotion: An Epic Story of Heroism, Friendship, and Sacrifice, Devotion is adapted to the screen by writers, Jake Crane and Jonathan A. Continue Reading
Film Review: The Trial Of The Chicago 7
The Trial Of The Chicago 7 is the kind of mid-budget crowd-pleaser made for adults we don’t really get anymore. Courtesy of Netflix and writer/director, Aaron Sorkin, as the title Continue Reading
Film Review: Mope
If anything, filmmaker Lucas Heyne, who is making his feature debut here, knows how to set the mood. The opening is as amusing as it is ominous as we find Continue Reading
Film Review: Samurai Marathon
This film actually came out on VOD a little over a couple weeks ago. It’s a smaller film, not particularly high profile, and as much as I wanted to see Continue Reading
Film Review: Lost Girls
Filmmaker Liz Garbus sets an ominous mood early on with a brief but powerful title sequence where we see a woman running on long stretch of road, silhouetted by the Continue Reading
Film Review: Run This Town
As I watched Run This Town, I came to the amusing realization that I haven’t seen any film before than revolves around a Canadian political scandal, and the fact that Continue Reading
Film Review: Escape From Pretoria
Adapted from the autobiography, Inside Out: Escape from Pretoria Prison, Escape From Pretoria is a thriller based on the true story of Tim Jenkin (Daniel Radcliffe) and Stephen Lee (Daniel Continue Reading
Film Review: Dark Waters
Dark Waters is the latest film from Todd Haynes, who is tackling a screenplay by Mario Correa and Matthew Michael Carnahan, which is based on the 2016 New York Times Continue Reading
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