Film Review: Dogs
The film that Dogs reminded me of the most throughout watching it was the Coen Brothers’ 2007 film, No Country For Old Men. That film and debut Romanian filmmaker, Bogdan Continue Reading
Film Review: Kandisha
Kandisha is a horror film from French filmmakers, Julien Maury and Alexandre Bustillo, who most horror fans will recognize as the guys behind Inside and Livid, two infamous entries in Continue Reading
Film Review: Scales
Scales is the directorial debut of Saudi Arabian filmmaker, Shahad Ameen. It’s a fable of sorts, one that revolves around a young girl, Hayat (Basima Hajjar), who lives in a Continue Reading
Film Review: Two Lottery Tickets
Two Lottery Tickets is a comedy from Romanian filmmaker, Paul Negoescu, which was initially released in its home country back in 2016, but is just now getting a release here Continue Reading
Film Review: The Perfect Candidate
The Perfect Candidate is the latest film from Haifaa al-Mansour, who burst onto the scene in 2012 with her excellent debut, Wadjda, which was notable for not only being the Continue Reading
Film Review: There Is No Evil
Similar to his contemporary, Jafar Panahi, Iranian filmmaker Mohammad Rasoulof has been faced with brief jail time and a ban from making films, along with a ban from leaving the Continue Reading
Film Review: Wet Season
Wet Season is a drama from Singaporean filmmaker, Anthony Chen, following his 2013 debut, Ilo Ilo. It was also Singapore’s submission for the 93rd Oscars, though it didn’t end up Continue Reading
Film Review: Bombay Rose
Bombay Rose is an Indian animated film from Gitanjali Rao, marking her feature directorial debut. It follows Salim (Amit Deondi) and Kamala (Cyli Khare), two young people who are trying Continue Reading
Film Review: Keep An Eye Out
Keep An Eye Out, or Au Poste! in its native French, is the latest film from oddball filmmaker, Quentin Dupieux. Taking place almost entirely in a police station, aside from Continue Reading
Film Review: Twilight’s Kiss
Twilight’s Kiss is a drama from Hong Kong filmmaker, Ray Yeung. It follows Pak (Tai-Bo) and Hoi (Ben Yuen), two elderly working class men who also happen to be closeted Continue Reading
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